Art Nouveau

The years during which Richard-Ginori was directed by Gio Ponti were one of the most artistically successful periods in its history.

The ceramics he designed starting from 1923 constitute a very important part of the Museo Ginori collection. Comprising more than four hundred works, the Ponti collection includes both small mass-produced objects and masterpieces never replicated, such as the large vase La Conversazione classica and the imposing centerpiece for the Italian Ministry of Foreign Affairs.

Irony, elegance, and a brilliant reinvention of the antiquity are some of the ingredients that made Ponti’s production an international success and an excellent example of Art Déco taste.

Highly sought-after creations with an exotic taste, small sculptural groups made specifically to accompany desserts, services that have become true icons of an era and design prototypes: from the eighteenth century through the entire twentieth century, the Manifattura Ginori has written some of the most significant chapters in the history of tableware art.

The extraordinary collection of table objects of the Museo Ginori tells both the birth of the shapes and decorations that would identify the style of the manufactory for centuries and the ability to rethink the form and function of objects to adapt them to the progressive changes in taste and the clients’ needs.

“Useful” products, such as everyday tableware, have been the true source of profit for the Manifattura Ginori since its origins.

From the second half of the nineteenth century, with the proliferation of ceramic applications in the industrial field, a significant portion of Ginori’s - and later Richard-Ginori’s – production consisted of insulators for telegraphs, components for the silk industry, and laboratory porcelain.

Finally, it is road signage, tiles, baking dishes, and pharmacy jars that mark the definitive entry of the Manifattura Ginori into the daily life of all Italians.