From the anonymous design of the early centuries to Gio Ponti, from Gariboldi’s "Compasso d’oro" to the experiments of Colombo and Mangiarotti, the collections of the Museo Ginori tell the story of tableware design.
The epilogue of Gio Ponti's collaboration with Richard-Ginori in an excerpt from the essay written by Oliva Rucellai for the catalog of the MIC Faenza exhibition "Gio Ponti. Ceramics 1922-1967".
The floral decorations adorning the tableware preserved at the Museo Ginori reflect the shifting tastes of its patrons and the Marquis Carlo Ginori’s remarkable ventures into naturalistic themes.
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